The Portland Press Herald has likened American soprano Jenn Newman to the legendary Kate Smith when describing her voice as “warm, powerful, and with an ability to hit spectacular high notes.” Praised for her delivery of “powerful and emotional performances,” Newman was deemed the “audience favorite” by The Arizona Republic which also noted the soprano to sing with “spin and beauty.” With a diverse repertoire of roles to her credit ranging from “Pamina” in Die Zauberflöte to “Sister Amnesia” in Nunsense, Newman is equally at home performing the classics as she is delivering contemporary favorites - typically during the same concert.
Newman debuted her first solo CD in 2008 entitled, Someone to Watch. Produced by Ralph Patlan and mastered at Capitol Studios in Hollywood with Evren Göknar, Newman collaborated with Larry Loeber (piano) and Steve Fitch (percussion) for this timeless collection of songs showcasing Newman’s noteworthy versatility.
A sought after headliner for dozens of symphony pops concerts, Newman's engagements include solo performances with the Detroit Symphony Orchestra, Portland Symphony Orchestra, Winston-Salem Symphony, Greensboro Symphony, Arizona MusicFest, and numerous concerts with The Phoenix Symphony. Newman has worked under the baton of such conductors as longtime collaborator, Robert Moody, Alastair Willis, Lawrence Golan, Matthew Troy, Kayoko Dan, and the late Hermann Michael. Newman debuted her first solo cabaret, "An Evening with Jenn Newman," in August 2010 at the Laurie Beechman Theatre in New York City. In December 2012, Newman made her debut with the Evansville Philharmonic under the direction of Maestro Alfred Savia.
Newman’s regional stage credits include: “Emily” in Help, Help! The Globolinks!, “Gretel” in Hansel and Gretel, “Genovieffa” in Suor Angelica, Godspell, and the title role in The Mystery of Edwin Drood to name a few. In addition to her Pops resume, Newman has also been the featured soprano soloist in such classical works as Bach’s Cantata #51: Jauchzet Gott in allen Landen, Mozart’s Exsultate, Jubilate, Requiem (Fauré, Rutter & Mozart), Handel’s Messiah, Mendelssohn’s Elijah and Haydn’s Creation.
Influenced greatly by gospel, blues and country roots while growing up in Memphis, Tennessee, Newman returned to her native Arizona where she received her Bachelor’s degree in Opera & Musical Theatre Performance at Arizona State University. She furthered her classical training in New York City under the auspices of internationally renowned soprano, Maria Spacagna. Newman now works with musical theater coach, arranger, music director, and longtime friend, Andrew Byrne.